Mass Propers
A collection of score files, in Gregorian chant notation, for the Propers of the Mass (those parts of the Mass which vary from day to day during the Liturgical Year). The files are in PDF format for ease of downloading and printing. These are the scores used at this time by our choir; they will be updated as the choir adds more complex arrangements.
Videos and MP3 sound files demonstrating how to sing the propers can be found at Corpus Christi Watershed. Note that the examples at Corpus Christi Watershed may vary slightly from these score files.
The notes below provide further information about the naming conventions used by these files, and some further information about the arrangements contained therein.
The choir is in the process of moving to a Full Tone version of the Offertory. This requires a new set of score files, which we are in the process of creating. During this process, updated score files will be identified below.
Propers Chant Scores for the Liturgical Year
Advent
Updated March 2023 to include Full Tone Offertory.
Christmastide
Updated March 2023 to include Full Tone Offertory.
- Christmas Eve (no Full Tone Offertory)
- The Nativity of Our Lord (Christmas): Mass at Midnight
- Christmas: Mass at dawn (no Full Tone Offertory)
- Christmas: Mass during the day
- Sunday within the Octave of Christmas
- Octave Day of Christmas (January 1)
Epiphany
Updated January 2023 to include Full Tone Offertory.
- Epiphany
- First Sunday after Epiphany (Holy Family)
- Second Sunday after Epiphany
- Third Sunday after Epiphany (Note: These Propers are repeated on the 4th, 5th and 6th Sunday after Epiphany)
Septuagesimatide
Updated January 2023 to include Full Tone Offertory.
Lent
Updated January 2023 to include Full Tone Offertory.
- Ash Wednesday
- First Sunday in Lent
- Second Sunday in Lent
- Third Sunday in Lent
- Fourth Sunday in Lent
- Passion Sunday
- Palm Sunday
Easter
Updated March 2023 to include Full Tone Offertory.
- Easter Sunday
- Easter Monday
- Low Sunday (The Octave of Easter)
- Second Sunday after Easter
- Third Sunday after Easter
- Fourth Sunday after Easter
- Fifth Sunday after Easter
- Feast of the Ascension (Ascension Thursday) (no Full Tone Offertory)
- Sunday within the Octave of the Ascension
- Pentecost (Whitsunday) (small formatting glitch in Sequence)
Time After Pentecost
Updated March 2023 to include Full Tone Offertory.
- Trinity Sunday
- Corpus Christi – Thursday after Trinity Sunday
- 2nd Sunday after Pentecost
- Feast of the Sacred Heart of Jesus – Third Friday after Pentecost
- 3rd Sunday after Pentecost (corrected May 13, 2023)
- 4th Sunday after Pentecost
- 5th Sunday after Pentecost
- 6th Sunday after Pentecost
- 7th Sunday after Pentecost
- 8th Sunday after Pentecost
- 9th Sunday after Pentecost
- 10th Sunday after Pentecost
- August 6: The Transfiguration of Our Lord Jesus Christ
- 11th Sunday after Pentecost
- 12th Sunday after Pentecost
- 13th Sunday after Pentecost
- 14th Sunday after Pentecost
- 15th Sunday after Pentecost
- 16th Sunday after Pentecost
- 17th Sunday after Pentecost
- 18th Sunday after Pentecost
- 19th Sunday after Pentecost
- 20th Sunday after Pentecost
- 21st Sunday after Pentecost
- 22nd Sunday after Pentecost
- 23rd Sunday after Pentecost
- Last Sunday after Pentecost
- The Last Sunday of October: Feast of the Kingship of Our Lord Jesus Christ
Feastdays
Propers for other Feastdays during the year where the choir might do a sung Mass. These are usually fixed calendar feastdays, which often fall on a weekday, including Marian feastdays, feastdays of our Lord Jesus Christ, and feastdays of various Saints.
- August 6: The Transfiguration of Our Lord
- September 29: The Dedication of St. Michael the Archangel
- Last Sunday of October: Feast of the Kingship of Our Lord Jesus Christ
- December 8: The Immaculate Conception of the Blessed Virgin Mary
Score Files and Naming Conventions
The PDF score files were produced using Ben Bloomfield’s GABC generator for propers. More information about the GABC tools can be found at Gregorio Gregowiki.
The propers generator tool is quite flexible, and can generate score files in a variety of font sizes, and with any desired mixture of propers, using either Full Tone or Psalm Tone versions as desired. The files available here are the ones currently used by our choir. They normally use 12 point font size, and normally (with some exceptions) contain a mixture of Full Tone and Psalm Tone propers. Most of the time (with some exceptions) the Introit and Communion are Full Tone; others propers are usually Psalm Tone. The file name provides more specific information about the propers contained in that file.
Most of the PDF score files follow a naming convention, which provides information about the contents and format of the propers contained in the file. The file name consists of several parts, each separated by hyphens:
- Liturgical Calendar identifier: several letters specifying the Sunday or Feast day.
- Font size, in points.
- Propers Identifier: a series of letters showing which Proper scores are included in the file. Upper case denotes a Full Tone proper, lower case denotes a Psalm Tone proper. These may include: Introit (I/i), Gradual (G/g), Alleluia (A/a), Tract (T/t), Sequence (S/s), Offertory (O/o), Communion (C/c) and Hymn (H/h).
- Propers Format: a code showing which type of Propers the score file contains:
- FP: contains only Full Propers
- PP: contains only Psalm Tone Propers
- MP: contains a mixture of Full Propers and Psalm Tone Propers. This is the most common format for our files
For example, the file PS-12-IaaSOC-MP.pdf
would be Pentecost Sunday, font size 12 points, containing scores for Introit (Full Tone), two Alleluias, Sequence (Full Tone), Offertory (Full Tone) and Communion (Full Tone). There may also be an additional suffix such as R2
, which would indicate Revision 2, perhaps identifying a corrected version of the file.